For the last two years, I took a break from Kismuth and my personal projects.

I wanted to see if I could collaborate.

Like, for real. With new people. In foreign lands. Maybe where I didn’t know anyone. Definitely where I didn’t speak what they did.

 

Art is conversation

I guess I had it in mind that it could be a cool, beautiful and interesting way to see what else is ‘out there,’ and co-create with people I had yet to discover, and learn from.

Hrmmmm.

Idealistic. Idyllic. And totally off.

This was a mixed bag.

I can’t stand blogs that go into the whole, ‘I’m so vulnerable’ and silly jazz like that, so I will refrain. But the short awakening was: I can’t work with too many people, and I know that, and I’ve known that for a long time.

Which. Was why. Of course it was why. I had started here. Writing Kismuth.

People would go, ‘Not everyone has the time and luxury to write and travel, like you.’

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12-set ‘Philosophy of the Moment’ zines. Available at DK’s crowdfunding page >

 

Writing is all sharing


But yeah. I’m writing more here now. I’ve put together the new issue of Briefly in Sheffield. I loved this story and how people reacted to the zine version of it, which many of us in design like to think of as ‘prototyping’. Although, yeah. Some people think I want to be a ‘zine master.’

No.

I just want to quickly flesh out a story, print it, let people read it, see if they like it. If they do, ask why. If they don’t, ask why.

And iterate.

What else is there?

These are the books and zines, so far.


essays, writing

Zines in S P C

Image