Here’s a link!
I’ve been writing a monthly column for a magazine back in the US.
You can find some of the writings from the road at the magazine’s website:
Some of the works plus a few new pieces, set with photos and art from my time in Vietnam, will be part of this new book.
#hanoi #vietnam #nostalgiacaphe
Today I’m very pleased to share this new zine, S P A C E | Brooklyn, ‘Art 4 Art’s Sake.’
This is probably my favorite, to date. Because it does the work of going and seeking people and stories, playing in the conversation space, then interconnecting people who I find truly gifted and inspiring to learn from.
It’s a magical collaboration that somehow managed to make its way onto the digital page, this week, in, uh… Dropbox papers? (I know, right? What is that about?) I have so much more to say about the conversations and interweaving, asynchronous and international shapes of S P A C E that are beginning to converge in the current issues. It’s all starting to feel exactly right, now. It takes time, right? Art. Takes. Time. Well, well. Here we are.
L’art pour l’art
ABOUT ISSUE #43. One contributor is an editor in Finland. Another is DK | S P A C E’s former culture editor, who is based in Cambodia. More about them is in this blog post. I also included a short story of my own, ‘Continuations.’
You can download the issue all this week here.
Collected short stories from Rīga, Latvia
This special set is a project of Design Kompany’s Dipika Kohli.
DK’s new writings from Latvia, made in Rīga, from April-May, 2019.
Honesty, connection, discovery and trusting the process led to the writing, design and layout of these 16-page PDFs. Checkit.
IT HAS BEEN A RAINY DAY. I’m writing from Vietnam.
Right: I’m in Vietnam again.
A few people who have lost touch with the things related to the life I am traveling, a wacky vector that gives in to chance encounters and sends itself on new torrents of velocities unimaginable, because of that, kind of like sailing, I think, but yeah, those people who are like, what happened to Kismuth, might be surprised and curious to find that I’m well and happy, albeit a bit damp, here in Hanoi.
The beautiful capital city, of a wondrous country, whose landscapes have grown familiar now to me with more than ten, I think, crossings in and out of the borders.
How ‘cash-only’ led to ‘nomadic existence’
The life is not the kind of life that you would think you would have, if you were the kind of person who was living in a little apartment at one point, wondering if your mortgage loan thing would come back ‘approved.’ Mine did not, that time, because I have always used cash and not a credit card, and three years abroad before returning to those United States which seem less united than ever, from this distance, well, hell, let’s just say I didn’t get stuck in the lending crisis on account of being insistent on always using the cash in my pocket instead of the thing that is the plastic thing that leads to some arbitrary number in a faraway account. I didn’t like the idea, back then, and I don’t like it now. I’m still a cash only person, mostly. When there’s cash, that is.
The rest of the time I’m, um. Inventive.
Making it up as I go
Every so often I’ll throw some kind of online workshop or program, and that works out. I’ll be happy to meet new people and discover us talking and then, invite a handful into the forums, on our old blogs, where things got more involved. Guess you could call it discussions. And here we are in August. And I’ just underway with three of them. I’m happy about this. I’m very happy. And the rain is subsiding. And momentarily, I’ll get on another call, this time to talk about things related to the universe, space, time, and mirrors, probably, if last time was any indication. Let’s see.
Here we are again in August. I love how even after all this time, I still think of ‘the end of the summer’ as a chance to reflect, review. And September as a chance to start a new ‘semester.’ Of things related to a themed chunk of things. More about that if you are curious. I’ll be happy to elaborate. Sign up for my new mailing list–it’s not here at Kismuth anymore. I finally decided to get things moving, over at dipikkaohli.com. You can find it at the end of the long series on ‘relational aesthetics.’ If the stuff written there resonates, cool. Add your details and let’s see where the train takes us, next.
A train… to the things to come.
Let’s converse? Let’s play.
THIS YEAR, so far in online projects, things are moving in an interesting direction. A giant overarching theme has been coming into shape. People want to talk together share about really big things related to: love, loss, risk, and chance. I get that. It’s kind of a major attractor for me, this idea of leaping into uncertainty. So we talk together about family. Relationships. Life…. Quality. After testing things for a while, it seems clearer and easier, in some ways, that we can develop really great conversation spaces online. More on the way, for those who are connecting, about the next.
WELCOME TO THE COJOURNAL.
This is about who applies, and what we make together as a result of consciously setting aside time and space to commit to writing, writing better, and sharing what we write. (It’s an unusual space and a conversational one, but it’s not for everyone.)
Inward reflection, together
COJOURNALING gives our participating guests a chance to (re)discover the things you know. (You don’t have to sound ‘smart’ or like you are supposed to win something for your job—a raise, a grant, or some accolades for a good line. Instead, it’s about you. Your world, your reflections, your story.) The heart of what makes you you. It’s not coaching. It’s not a writing course. It’s not a trick. The cojournal has really worked for people. So we’re back, with it. Here in mid-2017. Bringing it here, but in a very low-key way, for those of you who happen to be on this page and are open to it, I invite you to apply. Limited seats. Are you ready?
How to find out more
THIS IS A PAGE with details about what is happening now. See what you think, and maybe see you on the other side. —KM
THINGS ARE MOVING in a new direction. Isn’t that always how it is, though?
If this were a letter, it would be to the people who had been reading the Kismuth e-letters, which I remember sending probably too often from the year I started Kismuth, 2012. I have stopped sending them, more or less. I guess because sometimes things find their natural ending, don’t they? Cycles. Time. Shifts, the story.
But I do remember writing a lot, and in the letter style. It would open in this kind of slow, easy way: I wonder how this note finds you, and how you are feeling where you are. Perhaps I’d go into a bit of a soliloquy, talk about something philosophical and maybe (probably) abstract. Esoteric. Admittedly it was a thing that would happen, an illogical compulsion towards illogic. Then I got into quantum physics. Then I learned about uncertainty, and its principles. I got intrigued, studied, and wrote completely other things for whole other segments of people. So I stopped with the e-letters to people in Kismuth, those whom I would meet while traveling in Viet Nam or India, who would ask me what I was doing, to whom I’d respond in my earnest and idealistic way that I was writing a book. A book about The Road, about the choice to go On It, and take a chance on things and buck the status quo, for better or worse. Sometimes it was better, sometimes it was far worse, but most of the time, and I think this is the thing that I must not forget, there was really good learning. And that learning is where the other things happened. Things that some people call ‘growth.’
I would go on about so many topics in my letters, much of those letters were long and long-winded. I don’t know. Somehow they led to new things, as things often do. I learned how to write in a way that was my own way. I stopped it with the old styles, the ones that had become bad habits. I won’t blame anything for that, they just were. Part of it was being afraid to say too much, at once. Fear. Fear of being seen as who I really am. When, I guess, if I am truly honest with myself (and you) about this, the thing is, if you don’t put who you really are into a thing, into a work, it’s just not going to be that interesting. To anyone. So you have to do it. For better or worse. Again, that refrain. This time, where will it take me?
The journeys are always good teachers. The reflection that happens at the endpoints even more so. But over the years I find myself returning to the same themes. Those of imagination. Those of love. Those of destiny, and the question, ‘What about if?’ But in a much more resigned way now than in that anxious kind of style that attaches itself to the young and dogmatic and idealistic and did I say dogmatic? Yes. Yes, I did. That is the key word, there.
So much more to say. I’m afraid if I put more here, for now, you will become bored. I am going to stop, then. This would have been the eletter from Kismuth, but as this is a new place, a bloggy kind of place, and as this might invite new people, as it has somehow magically done in the past (blogging, I mean), I will see what happens. The new territory is as dogged, strange, dark at the corners as the real road was, in 2013. The new territory is a walk into the Art, the search for Beauty. It was always at the heart of it, though. This quest to find the better, the meaningful, the elegant and eloquent in that which is around us, right here, where we are.
The below letter was first published online for Kismuth’s VIP e-community, on October 24, 2013.
This one’s for G.
SOMETHING HAPPENED THIS WEEK that changed my whole idea about what it is that “writing” is for, anyways. But let me start at the beginning.
So, I was wrong.
It’s hard to admit.
But yup. I was so totally misinformed when I set out on this quest to “see how other people in Asia raise their children, because, man, it takes a village, doesn’t it?, and we’re so wrapped up in ourselves and our own lives in America.”
Turns out, Asia is wrapped in itself, too. Gadgets, status, timecrunch.
So that changed everything. About what it means to be a person with a kid and have “the village” helping out… We did our best. We cried and tried. Writing about the hard moments, that’s what I wanted to try to do in the series. Yet I haven’t been able to come at it in a really meaningful way. It’s such a personal journey, and all that hard stuff that happened, well, could I really put it into words and share that, out loud? Really, could I?
Then something happened.
Someone else showed me her courage, when she shared with me something that happened to her. Not about anything I could have in a million years have imagined coming, but it is her story, a true one, and something that made me sit up very straight. You can read it, too. [Editor’s note: The Kismuth.wordpress.com has since been made private.] Today’s e-letter is dedicated to G. My new understanding of the purpose of Kismuth became clear when you hit “publish.”
Kismuth started to become something just last week, when you showed me how it helped you talk about your own very real, very haunting story. Coming back to the village, I now see that the work isn’t about the manual labor of holding a baby or the copywriting that comes with making blogs. It’s about the emotional labor. The love that goes into the bonding with your child, or the courage that it takes to say what hurt or changed you with others you don’t even know yet, out loud. The village isn’t about stuff or time. It’s about people. Sharing. Our real stories. All of us. It’s about finding the space and time to open our hearts to one another. Thank you, G.